Art Basel Miami Beach 2026

December 2 – 6, 2026

Miami Beach Convention Center
1901 Convention Center Drive, Miami Beach, FL 33139

Storage is pleased to participate in Art Basel Miami Beach with a solo presentation of works by Pat Lasch (b. 1944, New York).

Pat Lasch (b, 1944, New York) is an American conceptual artist, sculptor, and painter whose practice is rooted in personal narrative and embodied labor. Emerging in the 1970s from the downtown New York art scene, she was an early member of A.I.R. Gallery, one of the first women‑run artist collectives.

The daughter of a German pastry chef and a seamstress, she translated the techniques learned in her family’s kitchen and workshop into sculptural forms. Her meticulously sewn tondos—concentric stitched circles on unprimed muslin—trace twenty generations, with each tiny stitch representing an individual life. The circular forms function as both genealogical maps and meditations on the cyclical nature of life, visualizing how countless ancestors shape a single identity.

In the mid 1970s, Lasch expanded into three dimensions, creating delicate “pastry tube” sculptures with acrylic paint piped like icing on a cake. These works reference celebrations, rituals, and the passage of time, including birthdays, weddings, and other rites of passage, while bringing up tensions between sweetness and decay, pleasure and loss. Her miniature cake sculptures and life-size ceremonial and wedding dresses, crafted from acrylic, glass beads, baroque pearls, and metallic pigments, blur the boundaries between decorative art and fine sculpture, elevating materials traditionally associated with feminine labor.

Her work is deeply autobiographical, reflecting desire, spirituality, mourning, and the body’s passage through time. Lasch has addressed intimate aspects of women’s experience—including miscarriage and abortion—through works that encode these histories within dresses and sculptural forms.

Over her career, Lasch has worked across media—plaster, bronze, mixed media, porcelain, and printed materials—producing figurative sculpture, emotionally resonant bronzes, and enigmatic works that explore life’s paradoxes. Her work is included in major collections, including the Metropolitan Museum of Art, the Smithsonian American Art Museum, and the Museum of Modern Art, and has been the subject of monographic exhibitions such as Journeys of the Heart, which surveyed over four decades of her practice.

Lasch occupies a rare space where craft and conceptual art converge, honoring the labor of women’s histories while interrogating institutional exclusion and the cultural invisibility of domestic work. Through labor-intensive processes and deeply personal imagery, her art illuminates the intersections of gender, identity, memory, spirituality, and materiality, situating women’s labor, creativity, and resilience at the center of contemporary artistic discourse.

The Armory Show 2026

September 24 – 27, 2026

Javits Center
429 11th Avenue , New York, NY 10001

Storage is pleased to participate in The Armory Show with a solo presentation of works by Jacqueline Gourevitch.

Jacqueline Gourevitch (b. 1933, France) moved to the United States in 1940, and now lives and works in Lower Manhattan. She studied at Black Mountain College with Stamos and Clement Greenberg and began exhibiting in the mid-1950s while at the University of Chicago and the School of the Art Institute of Chicago. Gourevitch was included in the 1973 Whitney Biennial and in 1975 showed at the Wadsworth Atheneum in Hartford, Connecticut as part of their Matrix series. In 2015, Helen Molesworth included her work in Leap Before You Look: Black Mountain College 1933–1957 at the Institute of Contemporary Art, Boston. 

Works from Gourevitch’s series, “City Paintings”, were made while looking down from high windows during a residency at the original World Trade Center in 2000. More recently, she has incorporated views from new buildings at #4 and #7 in the reconstructed World Trade Center complex. Work from “Terrain/In Flight” paintings are sometimes based on graphite drawings and notes made while flying and looking down at the earth’s surface. 

Gourevitch has also exhibited at the Brooklyn Museum; deCordova Sculpture Park and Museum, Lincoln, Massachusetts; Hammer Museum, Los Angeles; Morgan Library & Museum, New York; and the Wexner Center for the Arts, Columbus, Ohio, among others. Her pieces are included in the collections of The Jewish Museum, New York; Art Institute of Chicago; Berkeley Art Museum and Pacific Film Archive, California; Menil Collection, Houston; Morgan Library & Museum, New York; and Yale University Art Gallery, Connecticut, among others. 

NADA Miami 2024

December 3rd - 7th, 2024

Booth E-106
Ice Palace Studios
1400 North Miami Avenue, Miami, FL 33136

Storage is pleased to participate in NADA Miami, from December 3rd-7th. The presentation includes works by Jen DeLuna (b. 1999), Nick Hobbs (b. 1997), & Helen Downie (b. 1965).

• About Jen DeLuna

  Jen DeLuna (b. 1999) is a Filipino and Colombian-American painter currently based in Boston, MA. DeLuna’s work has been exhibited in exhibitions across the United States and internationally, including the Miller Institute for Contemporary Art, Pittsburgh, PA; IRL Gallery, Manhattan, NY; 81 Leonard Gallery, Manhattan, NY; CultureLab LIC, Queens, NY; Soft Times, San Francisco, CA and TsingHua University, Beijing, China. Selected awards include Scholarship Artist at Manhattan Graphic Center and School of Art Leadership Award. DeLuna holds a BFA from Carnegie Mellon University (2021).

• About Nick Hobbs

  Nick Hobbs was born in 1997 in Shreveport, LA, and currently resides in New York, NY. He participated in the Undergraduate Residency Program at the New York Academy of Art (2018) and earned a BFA from Louisiana Tech University in Ruston, LA (2020). Hobbs received his MFA from the University of Arkansas in Fayetteville, AR (2023). His work is heavily influenced by a lifetime of looking through telescopes as an amateur astronomer, with his intricate pencil drawings reflecting the wonder and mystery of the universe.

• About Helen Downie

  Helen Downie (b. 1965) is a London-based artist, best known for her idiosyncratic and expressive style of painting. Working under the moniker of Unskilled Worker, her work is intimate and evocative, mixing characters and nature with the ephemeral and fantastical. Her work has been chronicled extensively and has attracted a large audience worldwide. Her paintings have appeared in many publications, including Artnet, The New York Times, Vanity Fair, Vogue, Dazed, Harper’s Bazaar and i-D. Her paintings are collected nationally and internationally and have been exhibited at galleries across the world including London, Hong Kong, New York, Seoul, Madrid, Tokyo and Shanghai. Downie is a strong voice for women, and through her exploration of gender enjoys testing new frontiers with her art. She is passionate about inclusion and through her work hopes to develop a narrative on the importance of diversity and freedom of expression, that speaks to everyone. Her work has been described as ‘a melee of ethereality, innocence, inherent flow and instinct that all come together in a spectacular fashion.’

Felix Art Fair 2024

Press Release (Cycle VIII): 0101

February 28th - March 3rd, 2024

Hollywood Roosevelt Hotel, Booth 1139
7000 Hollywood Blvd, Los Angeles, CA 90028

Storage joins Felix Art Fair 2024 to present Press Release (Cycle VIII): 0101, with works by Sebastian Burger, Adam Lupton, Kathryn Goshorn, and Barbara Nitke in extension of Press Release (Cycle VIII), which continues the gallery’s ongoing, rotational exhibition survey of international and overlooked artists.

Storage travels to Los Angeles, revealing Press Release (Cycle VIII): 0101 as an assimilation into the West Coast atmosphere of technological advancement with dealings of metal, the mirror image, and rupture as synaptic mediation of machine and body. In our era of artificial intelligence, the physical presence of machinery increasingly urges an overlap with the realization of the conscious mind, bringing into focus the question between recorded episodes and AI miming: “but, what is Actual?”

• Sebastian Burger

  Sebastian Burger (b. 1980) develops superfine oil paintings that nearly mimic the mechanical touch of an airbrush. As a technician trained in fine oil rendering that takes months to produce, Burger chooses to work on aluminum, countering the antiquation of canvas or linen substrates. The resultant thin profile of his work marks a physical reminder of technological advancement, meanwhile the meticulous yet stylized imagery demonstrates the counteractive embrace of surrealistic influences. The comparison of human and technology echoes throughout Burger’s investigations, be it in the flesh-tone almost as if sampled from a construction manual, or in the adept direction of the viewer’s gaze from the evidence of organic input to a subsequent machine response

• Adam Lupton

  Adam Lupton (b. 1987) overlays stamping and printmaking on the surfaces of his alternate self-portrait paintings, representative of his interface with the external world. Influenced by Obsessive-Compulsive Disorder (OCD), where his everyday existence is filled with rituals of reassurance, mantras, and projections, Lupton juxtaposes constraints and freedoms of the intellectual expanse with the utility of the earthly body, in a reconciliation of depressive retreat and cyborg taxonomy. With the inclusion of photographic space, Lupton observes a formerly valued testimonial of chronistic events in transition, reflecting the uncertain value of synthetic machine media and the sentimental entity of natural emotion.

• Kathryn Goshorn

  Kathryn Goshorn (b. 1991) builds images in depiction of the human condition, the purpose of life and how behavior can affect its quality. Goshorn contemplates a duty to understand the space we take up and our influence as we move through the world and interact, leaving those echoes of action, or cause and effect, where the effect is irreparable and one is left to speculate about the cause.

• Barbara Nitke

  Barbara Nitke (b. 1950) is a photographer whose focus spans from behind-the-scenes of hardcore porn sets to constructed narratives and portraiture. Working in the 80s of Downtown New York City, Nitke reveals the female gaze in the male-dominated adult film industry of the 80s in Downtown New York City. By capturing the elegant connections between actors, Nitke observes the nuanced entity of the self in both physical and spiritual realizations.

• About Storage

  Storage is an artist-run gallery founded by Onyedika Chuke on the ideals of community, discovery, and connoisseurship. Located in Tribeca and with a viewing room on the Bowery, Storage acts as an archive of makers that work in a range of materials and come from a wide demographic background. Half of the roster is dedicated to reinvigorating the careers of artists of historical prominence, while the other half focuses on nurturing rising artists.

NADA Miami 2023

The Macroscope

December 5th - December 9th, 2023

Ice Palace Studio, Booth C-104
1400 N Miami Ave, Miami, FL 33136

After celebrating its first year, Storage joins NADA Miami 2023 to exhibit the works of Adam Lupton (b. 1987), Baxter Koziol (b. 1995), and Michiko Itatani (b. 1948). The presentation of these four artists in Storage’s debut art fair commemorates a solo exhibition each at the gallery–Itatani’s being currently on view. Lupton, Way, and Koziol, who previously participated in Storage’s Press Release group exhibition series, will show in solo exhibitions at Storage in the spring of 2024 and 2025.

At NADA Miami 2023, we present “The Macroscope,” exploring the body through the corporal, the adornment, and the atmospheric in the context of our contemporary socio-political discourse. As evidenced by thinkers such as Elaine Scarry, Elizabeth Povinelli, and Donna Haraway, the awareness of self is inextricably supported by the physicality of sensation. “The Macroscope” posits pain and (dis)comfort as encounters of flesh and sensation, being and the world. We center on this mode of potential, where the external and the intimacy of the flesh might be taken apart and reformulated.

• Michiko Itatani

  Michiko Itatani’s paintings focus on the relationship between architectural space and the body, her complex and mythical atmospheres acting as reflections of a space where people can gather. Through the sheer scale of Itatani's works, viewers are invited to enter new structural fields which philosophize the cosmic possibilities of the future.

• Baxter Koziol

  Baxter Koziol explores the social construction of rupture and the body, working exclusively with a single needle to hand stitch his soft sculptures, blankets, and suits out of pieces of used clothing, found objects, and VCR tapes of classic films. These objects are flesh extensions, awaiting the body to clothe and armor its form.

• Adam Lupton

  Adam Lupton’s work grows out of Obsessive-Compulsive Disorder (OCD), where his every day existence is filled with rituals of reassurance, mantras and projections, creating internal “mental somersaults” that mediate his interaction with the external world. Lupton employs non-traditional methods including stamping, printmaking, and craft applications to express alternative portraits of himself, ‘fleshing out’ the emotions of his intrusive thought processes and eliding the interior and exterior of the body.

• About Storage

  Founded in 2020 by Onyedika Chuke, Storage is a contemporary art gallery in TriBeCa, New York. Our program is rooted in our commitment to sustaining a culturally diverse roster of emerging, mid-career, and established artists. We aim to produce trailblazing dialogues through groundbreaking exhibitions to empower artists and communities. Located in the historic 52 Walker Street Building alongside leading Manhattan-based galleries, our doors are open to welcome you.