Onyedika Chuke Onyedika Chuke

Comet Eater

Terra Keck

August 8th - August 30th, 2025

Storage

52 Walker Street
4th Floor
Tribeca, New York 10013

Exhibition Checklist

Storage is pleased to present the solo exhibit of recent works by Terra Keck (b. 1991), on view from August 8th through August 30th, 2025. Comprising a series of luminous eraser drawings made between 2024 and 2025, the show gathers Keck’s meditative investigations into cosmic consciousness, vision, and belief.

Terra Keck

August 8th - August 30th, 2025

Storage
52 Walker Street
4th Floor

Tribeca, New York 10013

Storage is pleased to present an exhibition of recent works by Terra Keck (b. 1991), on view from August 8th through August 30th, 2025. Comprising a series of luminous eraser drawings made between 2024 and 2025, the show gathers Keck’s meditative investigations into cosmic consciousness, vision, and belief.

Keck’s subtractive process of rubbing away graphite laid atop watercolor ground produces radiant, otherworldly images that appear to hover just above the surface. The works are small in scale but immense in implication, combining the softness of devotional painting with the geometric clarity of astronomical diagrams. The recurring motifs of glimmering star fields, circular symbols, botanical apparitions, and flickers of light suggest a visual language suspended between mysticism and science fiction. Some works evoke the faint glow of a distant spacecraft; others, a glimpse of something sacred glimpsed through the veil of night.

Keck’s approach turns absence into presence. The images do not emerge from mark-making but from removal, inviting viewers to contemplate what remains. These works are not depictions of UFOs in the conventional sense; they offer no certainties, no discernible threat or origin. Rather, they treat the UFO as a symbol of hope, curiosity, and the desire to be seen. In a cultural moment marked by cynicism and collapse, Keck dares to imagine that the universe might be generous, kind, magical.

Her work has been described as “sonograms of a world ready to be born,” and indeed, there is a quiet optimism pulsing beneath each surface. The erasures recall cosmic dust, the fading of memory, or transmissions from a source we can sense but not decode. Yet their material precision grounds them firmly in the here and now, anchoring each dream in the reality of the hand.

In Keck’s drawings, something flickers— between worlds, between eras, between meanings. What we’re left with is not a vision of answers, but of attentiveness. A quiet call to keep looking up.

Read More