Press Release (Cycle VIII)
Aristotle Forrester, Kathryn Goshorn, Louisa Owen, Marcus Leslie Singleton, Wen Liu, Sebastian Burger, Elizabeth Flood, & Michiko Itatani
February 24 – April 13th, 2024
Storage
52 Walker Street
4th Floor
Tribeca, New York 10013
Exhibition Checklist
Storage is pleased to announce Press Release (Cycle VIII), presenting artists Aristotle Forrester, Kathryn Goshorn, Louisa Owen, Marcus Leslie Singleton, Wen Liu, Sebastian Burger, Elizabeth Flood, and Michiko Itatani. This exhibition is held in extension of the gallery’s ongoing, rotational exhibition survey, Press Release (2022-present), featuring international and overlooked artists.
Press Release (Cycle III)
Angela Dufresne, Baxter Koziol, Adam Lupton, Pol Morton, Brandon Morris, Carolyn Oberst, Louisa Owen, & Jeff Way
April 21st – June 22nd, 2023
Storage
52 Walker Street
4th Floor
Tribeca, New York 10013
Exhibition Checklist
Press Release (Cycle III) exists as an ongoing essay where works are used to reposition and examine notions of pressure & release, thereby challenging perceptions of the body and space through painting, sculpture & performance.
Some works presented explore historically normative notions of physical space. Other works play on aspects of queer space through edits on museological tropes. The artists investigate the beauty, fragility, and resilience of the body, considering the space within and around it. They make mundane spaces alienating by accommodating the body's architecture and they rework exterior space, extending the traditions of the trompe-l'œil garden and abstracting our surrounding landscape within the gallery.
Press Release (Cycle II)
Angela Dufresne, Adam Lupton, Baxter Koziol, Eli Ping, Jeff Way, Louisa Owen, Kim Hoeckele, Morgan Canavan, & Brandon Morris
February 3rd – April 19th, 2023
Storage
52 Walker Street
4th Floor
Tribeca, New York 10013
Exhibition Checklist
In Press Release (Cycle II), the absence of the body is central in activating the performativity of an artwork. Physical qualities of the works may allude to the precarious circumstance of creating a body using obscure language. This language is one that allows emotions to exist within the realm of non-empirical standards, pushing the limit of existence.