Paintings 1965 - 2018

Jacqueline Gourevitch

May 9th - Extended through August 2nd, 2025

Storage
52 Walker Street
4th Floor

Tribeca, New York 10013

Storage is pleased to present the work of Jacqueline Gourevitch (b. 1933 Paris, France) dated between the years of 1965 and 2018. Gourevitch’s paintings inhabit the precise edge between representation and abstraction. As such, they embrace investigations of light and pictorial space. The show is on view from May 9th and extended through August 1st, 2025.

Jacqueline Gourevitch was born in 1933 in Paris. In 1940, her family immigrated to the United States, arriving at Ellis Island. In 1950, she studied at Black Mountain College, a school with an illustrious faculty list that included Willem and Elaine de Kooning, Josef Albers, and Ben Shahn. Among the student body at the time were Robert Rauschenberg, Kenneth Noland, and Cy Twombly. In 1973, Gourevitch was included in the Whitney Biennial. In 1975, she showed at the Wadsworth Atheneum in Hartford, Connecticut, as part of their Matrix series. In 2015, Helen Molesworth included her work in Leap Before You Look: Black Mountain College 1933–1957 at the Institute of Contemporary Art, Boston.

Gourevitch began her ongoing series of “Cloud Paintings” in the 1960s. Her ethereal, close-cropped clouds evoke various genres of painting— from abstraction and Fauvist landscapes to Abstract Expressionism— without straying from her singular vision. A keen understanding of the light and color of the sky distinguishes her work from what might initially appear to be color field compositions rendered in neutral tones. Whites, greys, and blues delicately meld in ways that both carefully reflect and reinterpret the moment before a storm breaks.

In 2000, Gourevitch was granted studio space in the former World Trade Center. In 2003, she began her current tenure in the new towers and has continued to paint clouds and the city from the 80th floor, as well as from her studio in Tribeca. Her paintings are also meditations on the act of painting itself, on abstraction, on landscape, and on vision that edges into the philosophical. 

Her cloud paintings suggest a world that continues far outside of the canvas, lending an expansiveness that stretches beyond the pictorial edge. Within the frame's boundaries, however, her close direct observation is attuned to subtle gradations of light and shade. 

Gourevitch’s paintings stand apart from the vigorous abstraction favored by many of her contemporaries. In this way, Jacqueline Gourevitch creates her own subtle and vast visual world, one that continually reflects on how we see and experience nature.

Previous
Previous

Comet Eater

Next
Next

A New Sacred